Let’s go back to 1910, three years before the premiere of The Soldier’s Tale, four years before the cataclysm of a world war. It is the premiere of The Rite of Spring in the elegant Theatre des Champs Elysees.
https://cewm.org/wp-content/uploads/2021/03/igor-stravinsky.jpg450600Blake Stanyonhttps://cewm.org/wp-content/uploads/2021/03/CEWM-Logo-Purple-340w.pngBlake Stanyon2021-03-11 11:33:582021-03-20 11:25:22Stravinsky and The Soldier’s Tale
People have always been drawn to the idea of a child, a miniature person, performing at an adult level. The preternaturally gifted child becomes a small-scale replica of an adult, with the skill and power to gain the respect and attention of adult society. From the child prodigy’s point of view, however, the situation appears otherwise.
https://cewm.org/wp-content/uploads/2021/03/felix-fanny.jpg711948Blake Stanyonhttps://cewm.org/wp-content/uploads/2021/03/CEWM-Logo-Purple-340w.pngBlake Stanyon2021-03-11 11:29:572021-03-20 11:17:54A Tale of Two Prodigies: Fanny and Felix
“What a beautiful big sound!” How often do we hear this comment during intermission or from musicians discussing a colleague they admire? This commonly voiced and seemingly flattering exclamation is problematic to me and stands as a disturbing commentary on the state of music making today.
https://cewm.org/wp-content/uploads/2021/03/Program-Advertise.jpg8671300Blake Stanyonhttps://cewm.org/wp-content/uploads/2021/03/CEWM-Logo-Purple-340w.pngBlake Stanyon2021-03-11 11:23:452021-03-18 18:33:54Sounding Off On Sound: Beauty Reconsidered
Having entered Brown University as a committed but less than stellar physics major, midway in my studies I suddenly found myself a music major courtesy of one of those lightning bolts that transform lives.
https://cewm.org/wp-content/uploads/2021/03/Close-Encounters-With-Music-Audience-1500w.jpg8131300Blake Stanyonhttps://cewm.org/wp-content/uploads/2021/03/CEWM-Logo-Purple-340w.pngBlake Stanyon2021-03-11 11:16:372021-03-18 18:34:34An Alternative View of Western Music
In the latter 19th and early 20th centuries, European composers regularly inflected their music with tunes rooted in Gypsy culture, whether heartfelt laments or exuberant dance tunes. The result was a warmly embraced hybrid that bridged cultures by enrichment rather than condescension. The sources of these Gypsy melodies varied from authentic to ersatz, with many folk-like pieces “improved on” by their incorporation into more urbane works.
https://cewm.org/wp-content/uploads/2021/03/cewm-LOGO-500W-e1616258321720.jpg501501Blake Stanyonhttps://cewm.org/wp-content/uploads/2021/03/CEWM-Logo-Purple-340w.pngBlake Stanyon2021-03-11 11:01:002021-03-18 18:35:30The Original Soul Music
Table of Contents
Enjoy in-depth articles relating to program themes.
Stravinsky and The Soldier’s Tale
magazineA Tale of Two Prodigies: Fanny and Felix
magazineSounding Off On Sound: Beauty Reconsidered
magazineAn Alternative View of Western Music
magazineThe Original Soul Music
magazine