Image of Clara Schumann

(Great Barrington, MA) Explore the complex relationships between Robert Schumann, Johannes Brahms and the immortal Clara Schumann when Close Encounters With Music delivers a concert with an enthralling range of emotions Saturday, March 24th at the Mahaiwe Performing Arts Center. The 6 PM “Grand Piano” extravaganza evokes vigor, passion, power and the timeless endurance of music masterpieces. The program includes Piano Quartets in E flat minor, Opus 47 (Robert Schumann) and G minor, Opus 25 (Johannes Brahms). Both were premiered with the participation of Clara Schumann, guiding muse and one of the most distinguished pianists of the day. Performers are Lydia Artymiw, piano; Arnaud Sussman, violin; Toby Appel, viola; Yehuda Hanani, cello. The concert is part of CEWM’s 20th Anniversary season.

Much has been written about the connections between art and life in the works of these giants of musical Romanticism. The confluence of the three — from Robert Schumann hailing Brahms as the “young Eagle” of composition, to the friendship between Clara and Johannes, to Schumann’s confinement and death in an insane asylum — makes for one of music history’s most poignant chapters. After Robert’s death, Brahms assumed therole of “head of household” and resided in an apartment over Clara’s home, relinquishing his career for two years, and never marrying, presumably for her sake. To this day, questions remain about their true relationship, and any letters that would solve the mystery were destroyed. However, their genius, passion and extraordinary sensibilities are all distilled and to be found in the music.

An on stage “Afterglow Reception” provided by Castle Street Café and Domaney’s Fine Wines & Liquors follows for all audience members.

THE ARTISTS

Lydia Artymiw, pianist, is recipient of an Avery Fisher Career Grant and the Andrew Wolf Chamber Music Prize. She has performed with over one hundred orchestras worldwide, including the Boston Symphony Orchestra and New York Philharmonic. She has collaborated with renowned artists such as Yo-Yo Ma and Richard Stoltzman. Artymiw graduated from the Philadelphia School of the Arts. She is the McKnight Distinguished Professor of Piano at the University of Minnesota.

Toby Appel, violist/violinist, has appeared at the White House and United Nations. He has been a frequent guest of the Lincoln Center Chamber Music Society and performed with jazz artists Chick Corea and Gary Burton and at festivals throughout the world. Mr. Appel teaches viola and chamber music at the Juilliard School, and has served on the faculties of Yale School of Music and Carnegie Mellon University.

Cellist Yehuda Hanani is founder and artistic director of Close Encounters With Music. His engaging chamber music with commentary has captivated audiences from Miami to Kansas City, Omaha, Calgary, Scottsdale, the Berkshires, and at the Frick Collection in New York City. A three-time recipient of the Martha Baird Rockefeller grant, he appears with orchestras and on the recital stage on five continents. He has been the subject of hundreds of articles and interviews in the media, and his weekly program on NPR affiliate station WAMC Northeast Radio, “Classical Music According to Yehuda” attracts thousands of fans. Professor of Cello at the University of Cincinnati College-Conservatory of Music, he also directs the High Peaks Festival, a teaching and chamber music festival in Hunter, New York.

Arnaud Sussmann, violinist, has performed as soloist at Carnegie, Avery Fisher, and Alice Tully halls. Appearing in concerts throughout the world, Mr. Sussmann joins the Lincoln Center Chamber Music Society on national tours. Recent appearances include the Mostly Mozart Festival and the Metropolitan Museum. Born in Strasbourg, France, he holds a Masters Degree from The Juilliard School. He was chosen by Itzhak Perlman to be a Starling Fellow and Perlman teaching assistant.

Tickets, $40 (Orchestra and Mezzanine) and $30 (Balcony) include the After Glow audience reception on stage. They are available at The Mahaiwe Performing Arts Center box office, 14 Castle Street, Great Barrington, 413.528.0100. For further information contact www.cewm.org or 800-843-0778.

UPCOMING EVENTS:

Tuesday, March 27, 7:30 PM: Guitar Master Eliot Fisk & Acclaimed Cellist Yehuda Hanani Perform at the Frick Collection, NYC
Close Encounters With Music presents virtuoso music by Schubert, Boccherini, Bach, Albeiz, Villa-Lobos, de Falla, Paganini and Robert Beaser. The Frick Collection, NYC. Tickets & information: 212.547.0696 or www.frick.org.

Saturday, April 21, 6 PM: “Trade Winds—From China with Love”
Presented by Close Encounters With Music
China’s “Empress of Pipa,” soloist Liu Fang, performs traditional selections on the Chinese counterparts to the lute and zither, and is joined by cellist Yehuda Hanani for a premiere by Pulitzer Prize winner Zhou Long. Bulgarian pianist Emma Tahmizian plays Ravel’s Mother Goose and Leo Ornstein’s remarkable A la Chinoise, and Israeli violinist Hagai Shaham offers Debussy’s pentatonic-inflected Sonata and Fritz Kreisler’s Tambourin Chinois. Mahaiwe Performing Arts Center, Great Barrington, MA. Tickets $40/$30. Box Office: 413.528.0100.

Sunday, April 29, 12:30 PM: Close Encounters With Music Annual Musicale Benefit at Blantyre
Savor a superb lunch and chamber concert while supporting Close Encounters With Music. A Salon-style celebration at one of the Berkshire’s most elegant resorts. Blantyre, Lenox, MA. For further information and reservations: 800.843.0778 or [email protected].

Sunday, May 13, 4 PM: “Conversations With…An Afternoon of Young Berkshire Composers”.
Free Presentation by Close Encounters With Music at the Lichtenstein Center
Emerging artists present their compositions. Conversations reflect on inspiration, the creative process and differences from the days of Mozart and Stravinsky. Light refreshments follow. The Lichtenstein Center for the Arts, 28 Renne Avenue, Pittsfield, MA. Free and open to the public. For further information: 800.843.0778 or [email protected].

Saturday, May 19, 6 PM: “Daedalus Quartet-Beethoven, Schubert & Berg”
Presented by Close Encounters With Music
An intriguing all-Viennese program. Schubert’s Quartettsatz; Alban Berg’s groundbreaking Lyric Suite; “Razumovsky,” Beethoven’s Opus 59 No. 1 in F Major. Min-Young Kim, violin; Ara Gregorian, violin; Jessica Thompson, viola; Raman Ramakrishnan, cello. Mahaiwe Performing Arts Center, Great Barrington, MA. Tickets $40/$30. Box Office: 413.528.0100.

Saturday, June 2, 6 PM : “The Roaring Twenties-Berlin, Paris, New York.”
Close Encounters With Music Season Finale at Tanglewood
Celebrate the golden age of jazz and cabaret, a period exemplified by experimentalism and decadence. Songs by Kurt Weill, Hanns Eisler, Cole Porter and Gershwin; Erwin Shulhoff’s Jazz Suite; and Entartete composers whose “degenerate” music. Jennifer Rivera, mezzo-soprano; Will Ferguson, tenor; James Tocco, piano; Yehuda Hanani, cello. Tanglewood’s Ozawa Hall, Lenox, MA. Tickets $50 Orchestra/$40 Balconies. 800.843.0778; www.cewm.org.

CLOSE ENCOUNTERS WITH MUSIC

Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic Director Yehuda Hanani puts the composers and their times in perspective to enrich the concert experience. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time—Paul Schoenfield, Osvaldo Golijov, Lera Auerbach, Jorge Martin, John Musto, among others—to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists James Tocco, Adam Neiman, Walter Ponce and William Wolfram; violinists Shmuel Ashkenasi, Yehonatan Berick, Vadim Gluzman and Toby Appel; harpsichordist Lionel Party; clarinetists Alexander Fiterstein, Charles Neidich; vocalists Dawn Upshaw, Amy Burton, Jennifer Aylmer, Robert White, Lucille Beer and William Sharp; the Vermeer, Amernet, Muir, Manhattan, Avalon, Hugo Wolf quartets, and Cuarteto Latinoamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs.

Logo

AUGUST 18, 2011

Also presenting second season of CEWM at the Frick Collection in New York City

(Great Barrington, MA…) Going into its 20th year of presenting outstanding chamber music with lively commentary, Close Encounters With Music continues to expand its original programming of classical, contemporary and cutting-edge music. For the 2011-2012 season, CEWM offers world-renowned musicians, brings back the outrageously virtuosic Chamber Orchestra Kremlin, introduces one of the foremost pipa players in the world, marks an important birthday for Franz Liszt and revisits one of the most evocative periods in cultural history—the Roaring Twenties.

(For Calendar listings, see below.)

The season opens at the Mahaiwe Performing Arts Center on Sunday, October 30, 2 PM with the return of the audience favorite Chamber Orchestra Kremlin in a program of Dvorak’s sunny Serenade for Strings Op. 22 and Elgar’s Serenade in E minor, Shostakovich’s tragic Chamber Symphony Op. 110, and Bach’s radical Contrapunctus I from The Art of the Fugue. The “crème de la Kremlin” has carved out a singular niche, touring the US, Europe, Asia, and South America, and recording over 30 CDs with its signature supercharged brilliance (“The ensemble’s music director elicited warm, full-blooded and virtuosic playing with colorfully shaped, gleaming phrases” —The New York Times). Luigi Boccherini’s Cello Concerto features Yehuda Hanani as soloist.

Chamber Orchestra Kremlin, Misha Rachlevsky, conductor; Yehuda Hanani, cello

On Sunday, December 4 at 2 PM at The Mahaiwe, it’s Lisztomania! CEWM explores the cult of celebrity that had its roots with Franz Liszt, sex symbol and showman extraordinaire. Keyboard innovator and a powerful genius whose compositions blazed the way for Impressionism, Romanticism, and atonality, he is widely regarded as the greatest pianist of all time, mesmerizing audiences at his thousands of concert appearances. The program includes Liszt’s pictorial piano solo works; Saint-Saëns’ Rondo Capriccioso and Mendelssohn’s C minor Trio. Listeners will be rewarded with four recently published works for cello and piano, transcribed by Liszt himself, with acclaimed interpreter Jeffrey Swann (“His Liszt was a triumph of virtuosity” – Cincinnati Post).

“Lisztomania! A 200th Anniversary Celebration”
Jeffrey Swann, piano; Yehonatan Berick, violin; Yehuda Hanani, cello

The complex relationships between Robert Schumann, Johannes Brahms and the immortal Clara are examined through Grand Piano Quartets on Saturday, March 24, 6PM at The Mahaiwe. The Piano Quartets in E flat Major, Opus 44 (Schumann) and G minor, Opus 25 (Brahms) deliver an enthralling range of emotions—vigor, passion, power, and the timelessness of enduring masterpieces. Both were premiered by Clara Schumann, and the music evokes an auditory remembrance of things past, glimpses into a lost world of nobility and higher ideals.
“Grand Piano Quartets: Schumann and Brahms”
Lydia Artymiw, piano; Arnaud Sussman, violin; Toby Appel, viola; Yehuda Hanani, cello

In Trade Winds—From China with Love, a musical dialogue between East and West fill the Mahaiwe Saturday, April 21, 6PM. China’s “Empress of Pipa,” soloist Liu Fang, performs traditional selections on the Chinese counterparts to the lute and zither, and is joined by Yehuda Hanani for a premiere by Pulitzer Prize winner Zhou Long. Bulgarian pianist Emma Tahmizian plays Mother Goose and Leo Ornstein’s remarkable A la Chinoise, and Israeli violinist Hagai Shaham offers Debussy’s pentatonic-inflected Sonata and Fritz Kreisler’s Tambourin Chinois.

“Trade Winds—From China with Love”
Liu Fang, pipa and guzheng; Emma Tahmizian, piano; Hagai Shaham, violin; Yehuda Hanani, cello

On Saturday, May 7 at 6PM, the “refined but passionate Dedaelus Quartet” (The New York Times) brings an intriguing all-Viennese program. Like Schubert’s Unfinished Symphony, his Quartettsatz is a piece brimming with ardor and ecstasy—but unfinished. Alban Berg’s groundbreaking Lyric Suite plays with cryptic messages and themes depicting the tragic love of Tristan and Isolde while it is in fact about his “unrequited passion for a friend’s wife,” a mystery revealed 20 years ago when the composer’s letter were released. Also on tap: Beethoven’s Opus 59 No. 1 in F Major, the majestic “Razumovsky.”

Dedaelus Quartet:
Min-Young Kim, violin; Ara Gregorian, violin; Jessica Thompson, viola; Raman Ramakrishnan, cello

The season finale, “The Roaring Twenties: Berlin, Paris, New York,” celebrates the golden age of jazz and cabaret, and a period exemplified by experimentalism and decadence, Saturday, June 2, 6PM at Tanglewood’s Ozawa Hall in Lenox. Brilliant, enduring songs by Kurt Weill, Hanns Eisler, Cole Porter and Gershwin; Erwin Shulhoff’s Jazz Suite; and Entartete composers whose “degenerate” music was banned just a few years later by the rising Nazis and whose careers and lives were interrupted by the cataclysmic events that followed. Hear the recovered voices. Come to the cabaret!

“The Roaring Twenties: Berlin, Paris, New York”
Jennifer Rivera, mezzo-soprano; Will Ferguson, tenor; James Tocco, piano; Yehuda Hanani, cello

For Subscribers Only: Fireside Subscriber Concert
An exclusive event for season subscribers on Saturday, February 25, 6 PM at Searle’s Castle in Great Barrington, the Midwinter Concert features the rising young piano trio, TROIKA.

MORE THAN MUSIC: POETRY AND MEET-THE-COMPOSERS EVENTS
Close Encounters With Music continues its listen and talk series, Conversations with…intimate and stimulating afternoons of music, literature and exchanges of ideas with notable performers, critics, authors, and cultural personages. On Saturday, November 12, 4PM, Close Encounters With Music and The Mount present “Picnic With Poets,” featuring Massachusetts poet Charles Coe and regional Berkshire poets reading their works at Edith Wharton’s majestic estate. Coe, winner of the Massachusetts Cultural Council Poetry Fellowship and author of the collection Picnic on the Moon, combines subjects as diverse as African-American history, myth, jazz and family. On Sunday, May 13, 4PM at The Lichtenstein Center for the Arts in Pittsfield, Close Encounters With Music hosts Young Berkshires Composers, introducing emerging Berkshire composers. Audience members will be among the first to hear their compositions and take part in the conversation on the how and why of their compositional process.

Close Encounters in New York City
Returning to the Frick Collection in New York City popular demand, Close Encounters With Music offers Fall and Spring concerts. On Tuesday, October 4 7:30PM, “Romanticism and Enlightenment: Mendelssohn and Eduard Franck” features the American premiere of the Eduard Franck Sonata for Cello and Piano. James Tocco, piano; Shmuel Ashkenasi and Nurit Pacht, violins; and Yehuda Hanani, cello, in rediscovered works of Eduard Franck, one of Mendelssohn’s only students, as well as pieces by Mendelssohn and Eduard Franck’s student, Mortiz Moszkowski. On Tuesday, March 27, 7:30PM, Eliot Fisk, guitar, and Yehuda Hanani, cello, will blend the sonorities of plucked and bowed strings in music by Schubert, Boccherini, Bach, Albeniz, Villa-Lobos and more.

Close Encounters On the Radio/Podcast
Close Encounters With Music concerts are broadcast on WMHT-FM, and audiences are encouraged to tune into the new weekly broadcasts of “Classical Music According to Yehuda” on WAMC Northeast Radio or visit www.wamc.org.

ABOUT CLOSE ENCOUNTERS WITH MUSIC
Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic director Yehuda Hanani puts composers and their times in perspective to enrich the concert experience. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time: Paul Schoenfield, Osvaldo Golijov, Lera Auerbach, Kenji Bunch, John Musto, among others to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists James Tocco, Adam Neiman, Walter Ponce and Jeffrey Swann; violinists Shmuel Ashkenasi, Yehonatan Berick, Vadim Gluzman and Toby Appel; harpsichordist Lionel Party; clarinetists Alexander Fiterstein, Charles Neidich; vocalists Dawn Upshaw, Amy Burton, Jennifer Aylmer, Robert White, Lucille Beer and William Sharp; the Vermeer, Amernet, Muir, Mnahattan, Avalon, Hugo Wolf quartets, and Cuarteto Latinamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs.

TICKET INFORMATION
Tickets, $38 (Orchestra and Mezzanine) and $28 (Balcony), are available at The Mahaiwe Performing Arts Center box office, 413.528.0100. Subscriptions are $175 ($150 for seniors) for a series of 6 concerts. Visit our website at www.cewm.org.

Note: Tickets for June 2nd concert at Tanglewood’s Ozawa Hall can be purchased through CEWM
only.

2011-12 CALENDAR

Chamber Orchestra Kremlin, Sunday, October 30, 2PM
Lisztomania! A 200th Anniversary Celebration, Sunday, December 4, 2PM

Grand Piano Quartets: Schumann and Brahms, Saturday, March 24, 6PM

Trade Winds — From China With Love, Saturday, April 21, 6PM

The Dedaelus Quartet, Saturday, May 19, 6PM

These five performances are at the Mahaiwe Performing Arts Center, Great Barrington, MA. A reception with light refreshments follows each concert.

Admission for “Picnic With Poets” on Saturday, November 12 is $15 per person which light refreshments. The Young Berkshire Composers event on Sunday, May 13 is free and open to the public.

The Roaring Twenties: Berlin, Paris, New York concert takes place Saturday, June 2, 6PM, at Ozawa Hall at Tanglewood, Lenox, MA. Tickets: $50 Orchestra and $40 Balconies.

For information and tickets for the Close Encounters With Music concerts at the Frick Museum in NYC, call 212.547.0696 or www.frick.org.

Fiesta Advertisement

APRIL 1, 2011

The 2011-2012 season will mark the 20th anniversary of CEWM’s presence and contribution to the cultural life of the Berkshires. To kick off the celebration of this landmark year, CEWM announces a gala concert at Tanglewood’s famed Ozawa Hall on Saturday, June 4. Fiesta! A Latin Splash of Music and Dance embraces the sizzling rhythms of Cuba, Brazil, Argentina, Mexico and Spain. The program includes Chick Corea’s jazzy, flamenco-inspired La Fiesta!, performed by accordionist Bill Schimmel, one of the principal architects of the tango revival in America; Astor Piazzolla’s Grand Tango, choreographed by David Parsons as a 2001 CEWM commission; Ropa Vieja, a hypnotic work by composer-in-residence Jorge Martin and also a CEWM commission; plus works by Granados, Ginastera, and Villa-Lobos. Close Encounters promises an unusual evening of fusion fun.

A Close Encounters tradition that has featured artists ranging from Sigourney Weaver, Richard Chamberlain, and Jane Alexander to diva Dawn Upshaw , and that has seen world premieres of commissioned works by Osvaldo Golijov and Paul Schoenfield, this first major concert of the Berkshire summer season brings stellar musicians and performers to the Ozawa stage in original productions. Joining artistic director and cellist Yehuda Hanani are pianist Michael Chertock, percussionist Arti Dixson, and premier dancers from the Parsons Company. Fittingly, CEWM—“A celebration of the uncommon in chamber music” (The Miami Herald)—launches its next decade true to form.

“FIESTA: A Latin Splash of Music and Dances” is scheduled for Saturday, June 4, 6 PM at Ozawa Hall, Tanglewood (Lenox, MA). Tickets for this extraordinary concert are $50 for orchestra seats, $40 for all balconies, and can be purchased by calling 800-843-0778 or online at www.cewm.org.

ABOUT THE ARTISTS

“Gorgeous, just the right poetic tone” – Cincinnati Enquirer

Pianist MICHAEL CHERTOCK has fashioned a successful career as an orchestral soloist, appearing, among others, with the Philadelphia Orchestra, l’Orchestre Symphonique du Montreal, the Cincinnati Symphony, and the Toronto Symphony. He made his debut at seventeen, performing the Rachmaninoff Piano Concerto No. 3 with Andrew Litton conducting, and has toured Asia with the Boston Pops and the Cincinnati Pops Orchestra. His 2003 performance on the Cincinnati Symphony Orchestra’s recording of Petrouchka with Paavo Järvi turned in rave reviews in Gramophone and American Record Guide. He made his Carnegie Hall debut in 1999 with the Cincinnati Pops Orchestra, performing Duke Ellington’s New World A’Comin’. In June 2005 with the Boston Pops Orchestra, he performed the world premiere of a work by Todd Machover, commissioned by the Boston Pops expressly for him.

Yehuda Hanani is “one of the most polished performers of the post-Starker generation and is a consistently expressive artist.” – The New York Times

YEHUDA HANANI’s charismatic playing and profound interpretations bring him acclaim and reengagements across the globe. An extraordinary recitalist, he is equally renowned for performances with orchestras such as the Chicago Symphony, Philadelphia Orchestra, St. Paul Chamber Orchestra, Berlin Radio Orchestra, Israel Philharmonic, and BBC Welsh Symphony, to name a few. He is a frequent guest at the Aspen, Chautauqua, Pablo Casals Prades Festival (France), Finland Festival, Oslo Festival, Ottawa Festival, and the Australia Chamber Music Festival. He has collaborated in performances with preeminent fellow musicians, including Leon Fleisher, Aaron Copland, Christoph Eschenbach, David Robertson, Dawn Upshaw and Vadim Repin, among others. This distinguished artist made the first recording ever of the monumental Alkan Cello sonata, receiving a Grand Prix du Disque nomination.

“One of the great movers of modern dance.” –The New York Times

DAVID PARSONS founded Parsons Dance in 1987 with lighting designer Howell Binkley. Since then, he has created more than 70 works for the company, through commissions from Alvin Ailey American Dance Theater, American Ballet Theatre, the American Dance Festival, Jacob’s Pillow Dance Festival, New York City Ballet, Paul Taylor Dance Company, the Spoleto Festival, and Het Muziektheater in Amsterdam, among others. His works have also been performed by BatSheva Dance Company of Israel, English National Ballet, Feld Ballets/NY, Hubbard Street Dance Company, Nederlands Dans Theatre, and Paris Opera Ballet, among many others. He choreographed and directed the dance elements for Times Square 2000, the 24-hour festivities in Times Square celebrating the turn of the Millennium, viewed live on television by billions of people all over the globe.

“Accordion player the star” – The New York Times

WILLIAM SCHIMMEL, virtuoso accordionist, teacher and lecturer, received his diploma from the Neupauer Conservatory of Music and his BM, MS and DMA degrees from the Juilliard School. Mr. Schimmel has performed with virtually every major symphony orchestra in America and enjoys a longstanding relationship with the Minnesota Orchestra. He is founder of the Tango Project, which appeared with Al Pacino in the film Scent of a Woman, won the Stereo Review Album of the Year Award, received a Grammy nomination, and rose to number one on the Billboard Classical Charts. An authority on the music of Kurt Weill, he has recorded all of Weill’s music that employs the accordion and has written many new works for concert hall as well as Broadway and off-Broadway.

Percussionist ARTI DIXSON studied drum set concepts with the legendary drummer Jack DeJohnette. With folk-pop singer Janis Ian, he has performed in most major concert halls in the United States and toured Israel, Japan, Australia, Holland, Belgium, Spain and South Africa. He has also appeared with pianist Ahmad Jamal, throughout Europe as well as at Tanglewood, Saratoga, and Carnegie Hall and has worked at the the Foxwood Casino with Harry Connick and the Nelson Riddle Orchestra.

TICKET INFORMATION

Tickets, $50 (Orchestra) and $40 (Balcony), are available through Close Encounters With Music at 800-843-0778/ or by emailing [email protected]. Visit our website at www.cewm.org.

CLOSE ENCOUNTERS WITH MUSIC

Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic Director Yehuda Hanani puts the composers and their times in perspective to enrich the concert experience. In addition to tours that have taken the series to cities such as Chicago, Cincinnati, Milwaukee, Omaha, Calgary, and Kansas City, and South Florida, Close Encounters presents concerts each season in Scottsdale, Arizona, and in the Berkshires. To date, over one hundred fifty themes have been explored in the series’ programs. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time—Paul Schoenfield, Osvaldo Golijov, Lera Auerbach, and Jorge Martin, among others—to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists James Tocco, Adam Neiman, Walter Ponce and William Wolfram; violinists Shmuel Ashkenasi, Yehonatan Berick, Vadim Gluzman and Toby Appel; harpsichordist Lionel Party; clarinetists Alexander Fiterstein, Charles Neidich; vocalists Dawn Upshaw, Amy Burton, Jennifer Aylmer, Lucille Beer and William Sharp; the Vermeer, Amernet, Muir, Manhattan, Avalon, Hugo Wolf quartets, and Cuarteto Latinoamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs. In 2006, CEWM presented the world premiere of American composer Paul Schoenfield’s trio for clarinet, cello and piano, released for NAXOS in an all-Schoenfield CD. Naxos is scheduled to release a CD of CEWM’s discovery composer Eduard Franck, one of Felix Mendelssohn’s only students, in 2011 (Yehuda Hanani, James Tocco and Shmuel Ashkenasi), and Albany Records will release a CD of CEWM commissioned Jorge Martin works this summer.

Close Encounters With Music concerts are broadcast on WMHT-FM, and audiences are encouraged to tune into the new weekly broadcasts of Classical Music According to Yehuda on WAMC Northeast Radio or visit www.wamc.org.

For information and tickets for the Close Encounters with Music at the Frick Museum in NYC (October 4, 2011 and March 27, 2012) call 212.547.0696 or www.frick.org.

PRESS

Berkshire Living
“Must-see concerts, engaging hearts and minds.”

Kansas City Star
“Spontaneity, sophistication and gritty music-making….Hanani’s congenial manner and entertaining anecdotes succeeded in bringing the audience closer to the music.”

Omaha World-Herald
“Audiences at the CLOSE ENCOUNTERS WITH MUSIC series have come to expect the unexpected…..This series demonstrates the important lesson that great music-making does not require superstars from the classical music world.”

Fort Lauderdale Sun-Sentinel
“CLOSE ENCOUNTERS WITH MUSIC opened its season with a typically imaginative, ambitious program.”

Albany Times-Union “STUNNER CLOSES SEASON!”
“Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.”

“Close Encounters with Music, under the direction of cellist Yehuda Hanani, began its 19th season Saturday night with a leap of faith that paid off in a stunning performance by the Chamber Orchestra Kremlin.”

Rogovoy Report
“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.”

Berkshire Eagle
“There’s a palpable mystique about these Close Encounters concerts.”

Metroland
An all-star lineup…CEWM’s usual high caliber.”

Photograph of Jennifer Rivera

Songs about lotus flowers and pagodas, chamber music by German Romanticist par excellence Richard Strauss, and the Berkshire debut of opera star Jennifer Rivera highlight the Close Encounters With Music March 12 concert “Thus Spake German Romanticism” 6 PM at the Mahaiwe Performing Arts Center in Great Barrington, MA. “Radiant…ravishing mezzo soprano bloom from top to bottom” is how Opera News recently described Rivera’s opulent voice.

Also scheduled is the world premiere of this season’s Composer-in Residence Jorge Martin’s Four Noble Truths, a brilliant addition to the chamber music repertoire inspired by Buddhist wisdom and following in the footsteps of late nineteenth century German Romantics. According to artistic director Yehuda Hanani “Mr. Martin comes out of this tradition, and his musical language, sonorities and spiritual affinities are a continuation of this grand saffron-scented Silk Road that so influenced the 19th century arts. That’s why this 2008 work is programmed alongside Strauss, Hugo Wolf, Mendelssohn.”

In the nineteenth century, Europe, and especially Germany, discovered in Indian civilization an entire ancient system of religious thought, mythology, and poetry that was still breathing with life (against which Greco-Roman classicism seemed a pale shadow of a dead past that championed reason over imagination). Convinced that the roots of spirituality and answers to the West’s malaise lay in the Far East, German poets and musicians, from Goethe and Heine to Hermann Hesse and Richard Strauss, made a cultural voyage to the Far East and found inspiration in Oriental philosophy, poetry and art. Not only silks and spices, but ideas as well, influenced 19th century German culture. India, in particular, represented an age of innocence, the childhood of humanity, and religious sentiment closely allied with nature. Hesse, one of the few who, in 1916, actually traveled to India, envisioned a homecoming and renewal from the spirit of the East.

Richard Strauss, who was inspired by Nietzsche’s Thus Spake Zarathustra, is represented on the program by his youthful Sonata for Cello and Piano. In musical settings by Mendelssohn, Schubert, Strauss and Wolf the poets Heine and Goethe transport us to the banks of the Ganges to be intoxicated by the perfume of exotic flora. Award-winning composer Jorge Martin, continuing in the German Romantic tradition, leads his listeners through four stages, from suffering and strife, to enlightenment and nirvana, in the new Four Noble Truths, which receives its world premiere on March 12.

THE PERFORMERS

Jennifer Rivera is a superb lyric mezzo soprano who was invited to join the roster of the New York City Opera while still a student at Juilliard. She recently debuted as Sesto in La Clemenza di Tito with the Teatro Regio di Torino and will make her debut this season with the Berlin Staatsoper as Rosina in Il Barbiere di Siviglia. She has been praised repeatedly by the New York Times for her “radiant mezzo soprano,” her “warm dark tone,” and “fresh ready singing.” Ms. Rivera created the starring role of Sharon Falconer in the critically acclaimed 2007 Nashville Opera world premiere of Robert Aldridge’s Elmer Gantry and sings this season with the Portland Opera as well as the Innsbruck Early Music Festival. She has recorded for Harmonia Mundi. Internationally acclaimed pianist Walter Ponce has been heard in every major city of North and South America, as well as concert halls in Europe, Japan, Korea, and Africa. Born in Bolivia, his musical beginnings were in Buenos Aires, where he attended the National Conservatory and came under the influence of Alberto Ginastera before arriving in the United States on a Fulbright grant. Mr. Ponce has made guest appearances with Lincoln Center’s Chamber Music Society and given the world premieres for more than two hundred works, including those by Hugo Weisgall, George Rochberg, Karel Husa, William Bolcom, Morton Gould and Ezra Laderman. He received a Bachelor of Science degree from the Mannes College of Music, and Master of Science and Doctor of Musical Arts degrees from Juilliard where was one of three students chosen to play and study with Vladimir Horowitz.

CLOSE ENCOUNTERS WITH MUSIC

Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic Director Yehuda Hanani puts the composers and their times in perspective to enrich the concert experience. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time—Paul Schoenfield, Osvaldo Golijov, Lera Auerbach, Kenji Bunch, John Musto, among others—to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists James Tocco, Adam Neiman, Walter Ponce and William Wolfram; violinists Shmuel Ashkenasi, Yehonatan Berick, Vadim Gluzman and Toby Appel; harpsichordist Lionel Party; clarinetists Alexander Fiterstein, Charles Neidich; vocalists Dawn Upshaw, Amy Burton, Jennifer Aylmer, Robert White, Lucille Beer and William Sharp; the Vermeer, Amernet, Muir, Manhattan, Avalon, Hugo Wolf quartets, and Cuarteto Latinoamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs.

TICKET INFORMATION

Tickets, $40 (orchestra and mezzanine) and $30 (balcony), are available at The Mahaiwe Performing Arts Center box office, 413.528.0100, or through Close Encounters With Music at 800-843-0778 or by emailing [email protected]. Subscriptions are $175 ($150 for seniors) for a series of 6 concerts. Visit our website at www.cewm.org.

Note: Tickets for June 4th concert at Tanglewood’s Ozawa Hall can be purchased through CEWM only.

2010-11 CALENDAR

Chamber Orchestra Kremlin, Saturday, October 16, 6PM
Baroque Pantheon: A Holiday Concert Saturday, December 4, 6PM
Thus Spake German Romanticism Saturday, March 12, 6PM
Viola Quintets: Dvorak and Mendelssohn Saturday, April 16, 6PM
The Avalon Quartet: Steve Reich, Osvaldo Golijov and Schubert Saturday, May 7, 6PM

These five performances at the Mahaiwe Performing Arts Center, Great Barrington, MA. A reception with light refreshments follows each concert.

Tickets for Conversations with…. events on Sundays, November 21 and May 15, Hudson Opera House, Hudson NY, are $15 per person which includes refreshments.

Fiesta! A Latin Splash of Music and Dance takes place Saturday, June 4, 6PM, at Ozawa Hall at Tanglewood, Lenox, MA. Tickets: $50 Orchestra and Loges; $40 Balconies.

For information and tickets for the inaugural season of Close Encounters with Music at the Frick Museum in NYC call 212.547.0696 or www.frick.org.

“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.” —Rogovoy Report

“There’s a palpable mystique about these Close Encounters concerts.” —Berkshire Eagle

“STUNNER CLOSES SEASON! Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.”

—Albany Times Union

“An all-star lineup…CEWM’s usual high caliber.” —Metroland

Photograph of Carmalata San Marco Playing Music

It’s an evening of Baroque composers, but with a twist: Vivaldi’s sun-dappled orchestral work appears on the program, of course; but there’s also Francesco Geminiani’s Concerto for Two Violins, the lesser-known Giuseppe Valentini, and Henirich Ignatz Frantz von Biber’s Battalia, designed for exhibition and entertainment and demonstrating an experimentalism not generally associated with the Baroque. Welcome to the Close Encounters With Music early holiday celebration where the Baroque pantheon just took on a few worthy new members!

For their third appearance with Close Encounters With Music, Camerata San Marco, an all-women ensemble fashioned after Vivaldi’s La Pietà orphanage players, is joined by violin soloists Jonathan Keren and Cordelia Hagmann and cellist Yehuda Hanani. The concert, Saturday, December 4, 6 PM at the Mahaiwe Performing Arts Center in Great Barrington, also includes C.PE. Bach’s Symphony in G, brimming with his signature inventiveness and improvisatory élan.

The new Baroque ensemble Camerata San Marco is comprised of outstanding soloists and chamber musicians who have performed at international festivals and with leading ensembles in concert halls around the world: Marlboro, Kneisel Hall, Alice Tully, Da Capo Chamber Players, Bargemusic, Aspen, and Prussia Cove. They are noted for their precision of attack and synthesis of Baroque performance practice with contemporary virtuosity.

CLOSE ENCOUNTERS WITH MUSIC

Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic Director Yehuda Hanani puts the composers and their times in perspective to enrich the concert experience. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time—Paul Schoenfield, Osvaldo Golijov, Lera Auerbach, Kenji Bunch, John Musto, among others—to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists James Tocco, Adam Neiman, Walter Ponce and William Wolfram; violinists Shmuel Ashkenasi, Yehonatan Berick, Vadim Gluzman and Toby Appel; harpsichordist Lionel Party; clarinetists Alexander Fiterstein, Charles Neidich; vocalists Dawn Upshaw, Amy Burton, Jennifer Aylmer, Robert White, Lucille Beer and William Sharp; the Vermeer, Amernet, Muir, Manhattan, Avalon, Hugo Wolf quartets, and Cuarteto Latinoamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs.

TICKET INFORMATION

Tickets, $40 (orchestra and mezzanine) and $30 (balcony), are available at The Mahaiwe Performing Arts Center box office, 413.528.0100, or through Close Encounters With Music at 800-843-0778 or by emailing [email protected]. Subscriptions are $175 ($150 for seniors) for a series of 6 concerts. Visit our website at www.cewm.org.

Note: Tickets for June 4th concert at Tanglewood’s Ozawa Hall can be purchased through CEWM only.

2010-11 CALENDAR

Chamber Orchestra Kremlin, Saturday, October 16, 6PM
Baroque Pantheon: A Holiday Concert Saturday, December 4, 6PM
Thus Spake German Romanticism Saturday, March 12, 6PM
Viola Quintets: Dvorak and Mendelssohn Saturday, April 16, 6PM
The Avalon Quartet: Steve Reich, Osvaldo Golijov and Schubert Saturday, May 7, 6PM

These five performances at the Mahaiwe Performing Arts Center, Great Barrington, MA. A reception with light refreshments follows each concert.

Tickets for Conversations with…. events on Sundays, November 21 and May 15, Hudson Opera House, Hudson NY, are $15 per person which includes refreshments.

Fiesta! A Latin Splash of Music and Dance takes place Saturday, June 4, 6PM, at Ozawa Hall at Tanglewood, Lenox, MA. Tickets: $50 Orchestra and Loges; $40 Balconies.

For information and tickets for the inaugural season of Close Encounters with Music at the Frick Museum in NYC call 212.547.0696 or www.frick.org.

“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.” —Rogovoy Report

“There’s a palpable mystique about these Close Encounters concerts.” —Berkshire Eagle

“STUNNER CLOSES SEASON! Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.”

—Albany Times Union

“An all-star lineup…CEWM’s usual high caliber.” —Metroland

Photograph of Jorge Martin

“Conversations With…,” Close Encounters With Music’s intimate and stimulating series of talks with musicians, artists and scholars, presents this year’s composer in residence

In a talk illustrated musically and visually on Sunday, November 21, 3PM, Cuban-born Jorge Martín presents excerpts from his first full-length, large-scale opera, Before Night Falls, based on the autobiography of Reinaldo Arenas. The book by the same name, which chronicles the persecution of gays under Fidel Castro, will be familiar to movie aficionados from the film version by Julian Schnabel, starring Javier Bardem. This installment of “Conversations With…” takes place at the Hudson Opera House.

Martín, this year’s Close Encounters With Music’s Composer-in-Residence, has received awards from the Cintas Fellowship and the American Academy of Arts and Letters. Mr. Martín is the first CEWM Composer-in-Residence which follows a warm relationship that has yielded four commissioned works over the last several years, all of which are being recorded on Albany Records for release in 2011. Following the opera’s Fort Worth Opera Festival world premiere in 2010, critic Jay Nordlinger wrote: “Brave, both in its libretto and in its score.”

Built in 1855, the Hudson Opera House, located at 327 Warren Street, Hudson, NY, is one of the oldest surviving theaters in America. Hudson River painter Frederic Church showed his works here, Bret Harte read his poems, and Susan B. Anthony rallied support for women’s suffrage.

This series of intimate and stimulating conversations about music and ideas is an intrinsic part of the Close Encounters With Music season. “Conversations With…” has presented such notable speakers as writer, editor and Bob Dylan biographer Seth Rogovoy; composer, National Endowment grantee and Guggenheim fellow Judith Zaimont; pianist and author Walter Ponce; Emmy Award-winning animator, illustrator, cartoonist and children’s-book author R.O. Blechman; Academy Award nominee Daniel Anker; scholar/performer/multimedia artist Robert Winter; and former Yankee, author and sportscaster Jim Bouton.

Tickets for Before Night Falls are $15 and include light refreshments, provided by Verdigris. They can be ordered by emailing [email protected], calling 800-843-0778, or contacting the Hudson Opera House at 518-822-1438.

Close Encounters With Music concerts are broadcast on WMHT-FM, and audiences are encouraged to tune into the new weekly broadcasts of Classical Music According to Yehuda on WAMC Northeast Radio or visit www.wamc.org.

CLOSE ENCOUNTERS WITH MUSIC

Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic Director Yehuda Hanani puts the composers and their times in perspective to enrich the concert experience. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time—Paul Schoenfield, Osvaldo Golijov, Lera Auerbach, Kenji Bunch, John Musto, among others—to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists James Tocco, Adam Neiman, Walter Ponce and William Wolfram; violinists Shmuel Ashkenasi, Yehonatan Berick, Vadim Gluzman and Toby Appel; harpsichordist Lionel Party; clarinetists Alexander Fiterstein, Charles Neidich; vocalists Dawn Upshaw, Amy Burton, Jennifer Aylmer, Robert White, Lucille Beer and William Sharp; the Vermeer, Amernet, Muir, Manhattan, Avalon, Hugo Wolf quartets, and Cuarteto Latinoamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs.

TICKET INFORMATION

Tickets, $40 (orchestra and mezzanine) and $30 (balcony), are available at The Mahaiwe Performing Arts Center box office, 413.528.0100, or through Close Encounters With Music at 800-843-0778 or by emailing [email protected]. Subscriptions are $175 ($150 for seniors) for a series of 6 concerts. Visit our website at www.cewm.org.

Note: Tickets for June 4th concert at Tanglewood’s Ozawa Hall can be purchased through CEWM only.

2010-11 CALENDAR

Chamber Orchestra Kremlin, Saturday, October 16, 6PM
Baroque Pantheon: A Holiday Concert Saturday, December 4, 6PM
Thus Spake German Romanticism Saturday, March 12, 6PM
Viola Quintets: Dvorak and Mendelssohn Saturday, April 16, 6PM
The Avalon Quartet: Steve Reich, Osvaldo Golijov and Schubert Saturday, May 7, 6PM

These five performances at the Mahaiwe Performing Arts Center, Great Barrington, MA. A reception with light refreshments follows each concert.

Tickets for Conversations with…. events on Sundays, November 21 and May 15, Hudson Opera House, Hudson NY, are $15 per person which includes refreshments.

Fiesta! A Latin Splash of Music and Dance takes place Saturday, June 4, 6PM, at Ozawa Hall at Tanglewood, Lenox, MA. Tickets: $50 Orchestra and Loges; $40 Balconies.

For information and tickets for the inaugural season of Close Encounters with Music at the Frick Museum in NYC call 212.547.0696 or www.frick.org.

“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.” —Rogovoy Report

“There’s a palpable mystique about these Close Encounters concerts.” —Berkshire Eagle

“STUNNER CLOSES SEASON! Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.”

—Albany Times Union

“An all-star lineup…CEWM’s usual high caliber.” —Metroland

Photograph of Chamber Orchestra Kremlin

Inaugural season of CEWM at the Frick Collection in New York City

(Great Barrington, MA) As the Berkshires blaze with Autumn splendor, Close Encounters With Music offers a bountiful harvest of classical, contemporary, and cutting edge music. Now in its 19th season, CEWM presents world-renowned musicians, dancers, composers, and others in works that span the Renaissance to the 21st century, the brilliance of the Italian baroque to the introspection of the Russian masters, the spirituality of the late German Romantics to the extroversion of Latin fusion artists.

The season begins at the Mahaiwe Performing Arts Center on Saturday, October 16, 6PM with the Berkshire debut of Chamber Orchestra Kremlin in a program including Tchaikovsky’s lush Serenade for Strings and Prokofiev’s collection of miniature gems of mood, Visions fugitives. The “crème de la Kremlin,” known for its supercharged brilliance, has toured the U.S., Europe, Asia and South America with Misha Rachlevsky, conductor. Artistic director Yehuda Hanani joins as soloist for Tchaikovsky’s Andante cantabile and Max Bruch’s cantorial, uplifting Kol Nidrei.

With a discography of over 30 recordings, Chamber Orchestra Kremlin garners universal raves: “The ensemble’s music director elicited warm, full-blooded and virtuosic playing with colorfully shaped, gleaming phrases,” The New York Times has written.

The Camerata San Marco, CEWM’s resident Baroque string ensemble, sets off fireworks with Baroque Pantheon, the annual Holiday concert, on Saturday, December 4, 6PM. Here are Baroque composers with a twist: Vivaldi’s sun-dappled orchestral work, of course, but also Geminiani’s Concerto for Two Violins; the lesser known Valentini; Biber’s Battalia, entertainment demonstrating an experimentalism uncharacteristic of the period; and C.P.E. Bach’s Symphony in G, brimming with his signature inventiveness and improvisatory élan.

The late German Romantics sought answers to the West’s malaise in Eastern spirituality, philosophy, poetry and art. Thus Spake German Romanticism on Saturday, March 12, 6PM, highlights this via songs by Mahler, chamber music by Strauss, and the world premiere of Jorge Martín’s Four Noble Truths inspired by Buddhist wisdom and the pathways of the 19th Century German Romantics. Opera star Jennifer Rivera makes her Close Encounters debut: “A ravishing mezzo-soprano bloom from top to bottom, effortlessly negotiating the filigree with grace” – Opera News. She is joined by Walter Ponce, piano, and Yehuda Hanani, cello.

On Saturday, April 16, 6PM, the series continues with Viola Quintets: Dvořák and Mendelssohn. The two exuberant and rarely heard string quintets with viola doubled, Mendelssohn’s Op. 87 and Dvořák’s Op. 97, abound with wit, elegance and some of the most exquisite combinations of string sounds ever conceived. Performers are Yehonatan Berick and Renee Jolles, violins; Toby Appel and Tony DeVroye, viola; Yehuda Hanani, cello.

The Avalon String Quartet (“Engrossed, impassioned and imaginative…” – The New Yorker) returns to the Mahaiwe for an electrifying evening on Saturday, May 7, 6PM with works by Steve Reich, Osvaldo Golijov and Schubert. Reich, considered one of “our greatest living composers” by The New Yorker, shares with Golijov the ability to transcend regional and cultural boundaries, incorporating influences from around the world and across time. The program includes Reich’s Holocaust-themed Passing Trains, Golijov’s Tenebrae, and Schubert’s Death and the Maiden, an iconic chamber work that has inspired films by Roman Polanski and Woody Allen.

The season finale, FIESTA! A Latin Splash of Music and Dance, sizzles with the rhythms of Cuba, Argentina, Brazil, Mexico, and Spain on Saturday, June 4, 6PM in a most unusual and fun fusion evening at Tanglewood’s Ozawa Hall in Lenox. Stars from the chamber music and dance world share the stage: David Parsons’ choreography of Astor Piazzolla’s Grand Tango (commissioned by CEWM in 2001), and composer-in-residence Jorge Martín’s hypnotic Ropa Vieja (also a CEWM commission), along with works by Ginastera, Villa-Lobos, and Granados. Performers include Boston Pops favorite Michael Chertock, piano; Bill Schimmel, accordion; Arti Dixson, percussion; Yehuda Hanani, cello; and David Parsons Dance soloists.

An exclusive event for season subscribers on Saturday, February 26, 6PM at The Lenox Athenaeum, the Midwinter Fireside Concert features Chopin, Scriabin, César Franck, and two rising stars: Ukrainian pianist Pavel Gintov, first prizewinner in the first Takamatsu International Piano Competition, and Russian violinist Artur Kaganovsky who recently made his orchestral debut at Carnegie Hall.

Close Encounters With Music continues its tea and talk series Conversations with…, intimate and stimulating afternoons of music and exchanges of ideas with notable performers, critics, authors, and cultural personages, on Sunday, November 21, 3PM at the Hudson Opera House in Hudson, NY. CEWM’s Composer-in-Residence, Cuban born Jorge Martín, gives a presentation with musical and visual illustrations on his first full-length opera, Before Night Falls, based on the autobiography of Reinaldo Arenas who chronicled the persecution of gays under Fidel Castro. On May 15, 3PM at The Clark Art Institute in Williamstown, David Bull, Senior Consultant in the Painting Conservation Department at the National Gallery of Art, explores The Conundrum of Restoration and Interpretation and addresses the question of the shared responsibility of conservators and performers as re-creators: How to implement the artist’s intentions as an interpretive custodian when you are handed a neglected or “aging” painting or score?

This year marks the inaugural season of CEWM at the Frick Collection in New York City with an innovative two-part series. A Gilded Age Evening on October 12 features Lydia Artymiw, piano; Yehonatan Berick, violin; Yehuda Hanani, cello; and special guest, actor Richard Chamberlain reading from Frick family diaries and period accounts. Chopin in Paris on March 29, a toast to the intimacy of the salon, includes Chopin’s Ballades, Waltzes, Polonaises and Cello Sonata, framed by works of his contemporaries and features Jeffrey Swann, piano and Yehuda Hanani, cello. Mezzo-soprano Jennifer Rivera sings arias by Donizetti and Bellini whose operas influenced Chopin’s “bel canto” piano style.

Close Encounters With Music concerts are broadcast on WMHT-FM, and audiences are encouraged to tune into the new weekly broadcasts of Classical Music According to Yehuda on WAMC Northeast Radio or visit www.wamc.org.

CLOSE ENCOUNTERS WITH MUSIC

Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic Director Yehuda Hanani puts the composers and their times in perspective to enrich the concert experience. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time—Paul Schoenfield, Osvaldo Golijov, Lera Auerbach, Kenji Bunch, John Musto, among others—to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists James Tocco, Adam Neiman, Walter Ponce and William Wolfram; violinists Shmuel Ashkenasi, Yehonatan Berick, Vadim Gluzman and Toby Appel; harpsichordist Lionel Party; clarinetists Alexander Fiterstein, Charles Neidich; vocalists Dawn Upshaw, Amy Burton, Jennifer Aylmer, Robert White, Lucille Beer and William Sharp; the Vermeer, Amernet, Muir, Manhattan, Avalon, Hugo Wolf quartets, and Cuarteto Latinoamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs.

TICKET INFORMATION

Tickets, $40 (orchestra and mezzanine) and $30 (balcony), are available at The Mahaiwe Performing Arts Center box office, 413.528.0100, or through Close Encounters With Music at 800-843-0778 or by emailing [email protected]. Subscriptions are $175 ($150 for seniors) for a series of 6 concerts. Visit our website at www.cewm.org.

Note: Tickets for June 4th concert at Tanglewood’s Ozawa Hall can be purchased through CEWM only.

2010-11 CALENDAR

Chamber Orchestra Kremlin, Saturday, October 16, 6PM
Baroque Pantheon: A Holiday Concert Saturday, December 4, 6PM
Thus Spake German Romanticism Saturday, March 12, 6PM
Viola Quintets: Dvorak and Mendelssohn Saturday, April 16, 6PM
The Avalon Quartet: Steve Reich, Osvaldo Golijov and Schubert Saturday, May 7, 6PM

These five performances at the Mahaiwe Performing Arts Center, Great Barrington, MA. A reception with light refreshments follows each concert.

Tickets for Conversations with…. events on Sundays, November 21 and May 15, Hudson Opera House, Hudson NY, are $15 per person which includes refreshments.

Fiesta! A Latin Splash of Music and Dance takes place Saturday, June 4, 6PM, at Ozawa Hall at Tanglewood, Lenox, MA. Tickets: $50 Orchestra and Loges; $40 Balconies.

For information and tickets for the inaugural season of Close Encounters with Music at the Frick Museum in NYC call 212.547.0696 or www.frick.org.

“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.” —Rogovoy Report

“There’s a palpable mystique about these Close Encounters concerts.” —Berkshire Eagle

“STUNNER CLOSES SEASON! Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.”

—Albany Times Union

“An all-star lineup…CEWM’s usual high caliber.” —Metroland

Lily Francis Holding a Violin

Close Encounters With Music ushers in the summer season in the Berkshires Saturday, June 5, 6PM with Prague Spring—Czech Idyll, a program at the historic Mahaiwe Performing Arts Center in Great Barrington, Massachusetts celebrating the land of Franz Kafka, bucolic landscapes, and Bohemian crystal. The music of Dvořák, Smetana, and Janáček glows with lyricism and melodiousness. Dvořák’s Piano Quintet, a recognized masterpiece, along with other selections, overflows with Mittel-European ease, cultivation, and affecting tenderness. We are never far, in this music, from the Czech countryside and a languid summer’s evening. The influence of nationalism on nineteenth century music extended to the Czech masters. As Liszt, Brahms, Chopin, and Grieg drew from the folk traditions of Hungary, Poland, and Norway, so too, Dvořák, Smetana, and Janáček, created a distinctively Czech musical voice, reflecting the rhythms and harmonies of native song and dance.

Joining artistic director Yehuda Hanani are pianist Lydia Atrymiw, violinists Erin Keefe and Lily Francis, and violist Toby Appel. The program is repeated Sunday afternoon, June 6, 2:30 PM at the Doctorow Center for the Arts in the Catskill region in Hunter, NY.

Lydia Artymiw, one of the most compelling talents of her generation, has performed with the orchestras of Boston, Cleveland, New York, Philadelphia, Los Angeles, Washington, and numerous others. Solo tours have taken her to all major American cities, to London, Paris, Berlin, Milan, Rome, and throughout the Far East. Festival appearances include Aspen, Caramoor, Hollywood Bowl, Marlboro, Mostly Mozart. She has collaborated with Yo-Yo Ma, Richard Stoltzman, Kim Kashkashian, the Guarneri and Tokyo Quartets, and toured nationally with Music from Marlboro. A recipient of top prizes in the Leventritt and Leeds International Competitions, she graduated from Philadelphia’s University of the Arts and studied with Gary Graffman for twelve years. Artymiw is the McKnight Distinguished Professor of Piano at the University of Minnesota in Minneapolis.

Violinist Erin Keefe, winner of the 2006 Avery Fisher Career Grant, is praised as a compelling artist of exhilarating temperament and fierce integrity. She took the Grand Prizes in the Torun International Violin Competition (Poland) and was Silver Medalist in the Carl Nielsen Competition. She has appeared throughout the United States, Europe and the Far East and collaborated with Gary Graffman, Richard Goode, and Leon Fleisher and appeared with Michael Tilson Thomas premiering his own chamber music at Carnegie’s Zankel Hall. Her festival appearances have included Marlboro, Ravinia, and Bridgehampton. As a member of Chamber Music Society Two, she has appeared at Lincoln Center and on tour and was featured on Live From Lincoln Center.

The dynamic Lily Francis is sought after both as violinist and violist. A member of Chamber Music Society Two, she regularly performs at Lincoln Center. She has appeared with the Hartford Symphony and is the violist of the Vertigo String Quartet. Ms. Francis has performed at the Marlboro and Aspen Festivals and has played alongside Richard Goode, Ida Kavafian, Ani Kavafian, and Mitsuko Uchida. She has appeared at Bridgehampton Chamber Music, Caramoor’s Rising Stars series, and the Santa Fe Chamber Music Festival.

Violinist Toby Appel has appeared in recital and concerto performances all over the world. He has been a member of such renowned ensembles as TASHI and the Lenox and Audubon quartets and guest artist with the Vermeer, Manhattan, and Composers quartets, as well as with the Lincoln Center Chamber Music Society and jazz artists Chick Corea and Gary Burton. Festival performances include Mostly Mozart and Marlboro. He is a regular commentator for National Public Radio’s Performance Today. Mr. Appel currently teaches at the Juilliard School and has toured for The United States State Department and performed at the United Nations and the White House.

Yehuda Hanani’s charismatic playing and profound interpretations bring him acclaim and reengagements across the globe. An extraordinary recitalist, he is equally renowned for performances with orchestras such as the Chicago Symphony, Philadelphia Orchestra, Baltimore Symphony, St. Paul Chamber Orchestra, Berlin Radio Orchestra, Israel Philharmonic, BBC Welsh Symphony, Buenos Aires Philharmonic, Honolulu Symphony, Jerusalem Symphony, Lithuanian Chamber Orchestra, and Taipei and Seoul symphonies, among others. His recording of the monumental Alkan Cello Sonata—the first ever—received a Grand Prix du Disque nomination, and his other discs have won wide recognition. His best-selling recording of the Unaccompanied Bach Suites has become a standard-setter, and of his recent Naxos CD with the National Symphony of Ireland Fanfare Magazine wrote: “Renowned cellist Yehuda Hanani, great virtuoso that he is, handles this with astounding aplomb… .”

Tickets for Saturday June 5 are $40 or $25 for adults and $10 for students, and are available at The Mahaiwe Performing Arts Center box office, 413.528.0100, through Close Encounters With Music at 800-843-0778, or by emailing [email protected]. For information about the Doctorow Center performance, call 518-263-2063. Please visit our website at www.cewm.org.

Prague Spring—Czech Idyll Saturday, June 5, 6 PM and Sunday, June 6, 2:30 PM

The performances take place at the Mahaiwe Performing Arts Center, Great Barrington, Massachusetts and at the Doctorow Center for the Arts, Hunter, New York.

“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.” —Rogovoy Report

“There’s a palpable mystique about these Close Encounters concerts.” —Berkshire Eagle

“STUNNER CLOSES SEASON! Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.” —Albany Times Union

“An all-star lineup…CEWM’s usual high caliber.” —Metroland

About Soldier’s Tale! performance December 2009: “…an intriguing project, and a noble effort… exuberant theatrical adventure… Stravinsky’s winsomely galloping waltzes, polkas and marches framing the dialogues were in superb hands with the ensemble.” —Berkshire Eagle

A Painting of Chopin

Close Encounters With Music continues its 18th season Saturday, April 24, 6PM with Chopin and His Circle, the second of two programs celebrating the bicentennial of Chopin’s birth. From John Field, father of the Nocturne, who paved the way for Frederic Chopin’s masterworks in the genre, to Hummel, whose music he heard in his youth and whose concerti he performed, to the cellist Franchomme, for whom Chopin composed his Cello Sonata, to the charismatic Paganini, a frequent collaborator, this program offers a spectrum of works by Chopin’s friends and mentors, as well as his own sublime Ballades and Nocturnes.

Chopin explored the resources of the developing pianos of his day, resulting in the creation of new territory for future generations to admire and plumb – with harmonies from beyond the boundaries of what was then theoretically possible. His calling cards were a polished personality and a body of highly individualistic music which projected its novel beauty instantaneously. In music as seduction of the ear, no composer has surpassed him.

Joining artistic director Yehuda Hanani at the Mahaiwe performance are pianist Adam Neiman, violinist Stefan Milenkovich, and cellist Amy Gillingham. The concert will be complemented by a Chopin Hour the following afternoon, part of Close Encounters’ Conversations With… a series of illuminating talks by notable speakers and performers. Guest pianist Adam Neiman is featured both at the Mahaiwe concert Saturday evening and on Sunday, April 25, 2 PM at the Hudson Opera House, Hudson, NY.

Adam Neiman is hailed as one of the premier pianists of his generation and praised for possessing a rare blend of power, bravura, imagination, and technical precision. With a burgeoning international career and an encyclopedic repertoire that spans over fifty concertos, he has performed as soloist with the symphony orchestras of Chicago, Cincinnati, Dallas, Minnesota, and San Francisco, as well as with the New York Chamber Symphony and the National Symphony Orchestra. He has won the Avery Fisher Career Grant, the Gilmore Young Artist Award, and the Michaels Award of Young Concert Artists and joined the roster of the Chamber Music Society of Lincoln Center II for the 2004-2006 seasons. As a composer, his output includes works for solo piano, voice, chamber ensembles, a symphony and a violin concerto.

Violinist Stefan Milenkovich is recognized internationally for both exceptional artistry and his life-long commitment to humanitarianism, begining with his appointment as Child Ambassador of the First Children’s Embassy founded in Medjasi, Yugoslavia, during the war in Bosnia. At age seven he won the grand prize in the Jaroslav Kozian Violin Competition, and came to international attention when at age ten he was invited to perform for President Ronald Reagan at a White House Christmas celebration. He also performed for former Soviet President, Mikhail Gorbachev and twice for Pope John Paul II. He has made concerto appearances with the Berlin Symphony Orchestra, Helsinki Philharmonic, Belgrade Philharmonic, Orchestra of Radio-France, Bolshoi Theatre Orchestra, St. Petersburg State Orchestra, National Orchestra of Belgium, and the Melbourne and Queensland Symphonies in Australia. He has served on the violin faculty of the Perlman Music Program on Shelter Island and is a faculty member at the University of Illinois at Champaign-Urbana.

Cellist Amy Gillingham is an active solo, chamber, and orchestral musician and has given concerts across the eastern United States, Canada, Latin America, and Italy. She was hailed for her “rich sonority” by the Portland Press Herald. She holds degrees from the North Carolina School of the Arts and the University of Cincinnati College-Conservatory of Music, where she is currently finishing a Doctorate of Musical Arts degree as a student of Yehuda Hanani and is an adjunct faculty member in the theory department. She recently performed with the Central Michigan Symphony Orchestra as solo cellist in a premiere performance of Tan Dun’s Water Passion after St. Matthew and at the Bowdoin International Music Festival.

Yehuda Hanani’s charismatic playing and profound interpretations bring him acclaim and reengagements across the globe. An extraordinary recitalist, he is equally renowned for performances with orchestras such as the Chicago Symphony, Philadelphia Orchestra, Baltimore Symphony, St. Paul Chamber Orchestra, Berlin Radio Orchestra, Israel Philharmonic, BBC Welsh Symphony, Buenos Aires Philharmonic, Honolulu Symphony, Jerusalem Symphony, Lithuanian Chamber Orchestra, and Taipei and Seoul symphonies, among others. His recording of the monumental Alkan Cello Sonata—the first ever—received a Grand Prix du Disque nomination, and his other discs have won wide recognition. His best-selling recording of the Unaccompanied Bach Suites has become a standard-setter, and of his recent Naxos CD with the National Symphony of Ireland Fanfare Magazine wrote: “Renowned cellist Yehuda Hanani, great virtuoso that he is, handles this with astounding aplomb… .”

Close Encounters continues its tradition of commentary before each performance and of inviting the entire audience to the Afterglow reception to meet the artists immediately following the concerts.

Tickets for Saturday, April 24, $35 or $25 for adults and $10 for students, are available at The Mahaiwe Performing Arts Center box office, 413.528.0100, through Close Encounters With Music at 800-843-0778, or by emailing [email protected]. Please visit our website at www.cewm.org.

Chopin and His Circle Saturday, April 24, 6 PM

Prague Spring—Czech Idyll Saturday, June 5, 6 PM

All performances take place at the Mahaiwe Performing Arts Center, Great Barrington, Massachusetts

Chopin Hour Sunday, April 26, 2 PM at the Hudson Opera House, 327 Warren Street, Hudson, New York. Tickets are available at the door. Reservations are suggested: [email protected]. $25 includes tea and pastries by Verdigris of Hudson

“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.” —Rogovoy Report

“‘L’Histoire” known in English as “A Soldier’s Story,’ … was an intriguing project, and a noble effort… [an]exuberant theatrical adventure… Stravinsky’s winsomely galloping waltzes, polkas and marches framing the dialogues were in superb hands with the ensemble…”

—Berkshire Eagle (December 2009)

“There’s a palpable mystique about these Close Encounters concerts.” —Berkshire Eagle

“STUNNER CLOSES SEASON! Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.”

—Albany Times Union

“An all-star lineup…CEWM’s usual high caliber.” —Metroland

About Soldier’s Tale! performance December 2009: “…an intriguing project, and a noble effort… exuberant theatrical adventure… Stravinsky’s winsomely galloping waltzes, polkas and marches framing the dialogues were in superb hands with the ensemble.” —Berkshire Eagle

Image of Cordelia Hagmann holding Violin

Close Encounters With Music continues its 18th season Saturday, March 20, 6PM offering The Romantic Bach, a selection of Bach’s works reimagined by masters of the Romantic Era who wrestled with his revolutionary legacy. Brahms, Liszt, and Busoni, each from his own perspective, offered homage to the master they all revered through arrangements for the piano, the instrument of choice in their own time. Busoni, the tireless transcriber of Bach’s works, is represented by two Organ-Chorale Preludes, Liszt by an organ Fantasy and Fugue, and Brahms by his brilliant arrangement of the violin Chaconne for piano left hand. The program also includes Bach undiluted in the Violin Sonata No. 3 and the third Suite for Solo Cello and concludes with the premiere of a neo-Bach chamber work composed by Jonathan Keren that was commissioned by Close Encounters.

The performers include violinist Cordelia Hagmann who appears frequently as a chamber musician, recitalist and concertmistress in Europe and the U.S. She won top prizes at the Chesapeake Chamber Music Competition with the Moirae Trio in Winterthur and Zurich in her native Switzerland and has performed at Carnegie Hall, Merkin Hall, Alice Tully Hall, the Tonhalle in Zürich, KKL in Luzern, the Tel Aviv Conservatory, and the Jerusalem Music Center. As a soloist she has performed with the Musikkollegium Winterthur and the Temple Symphony Orchestra among others, and has been heard on Swiss National Radio.

Pianist James Tocco is widely regarded as one of the foremost interpreters of American masterworks, and his extensive discography, which reflects his varied tastes and astonishing versatility, includes the world premiere recording of Bernstein’s complete solo piano music, an all-Copland disc, the complete Chopin Préludes, the complete piano music of Charles Tomlinson Griffes, Erwin Schulhof ’s Cinq Etudes de Jazz, Bach-Liszt organ transcriptions, the four piano sonatas of Edward MacDowell, and Corigliano’s Etude-Fantasy. He is acknowledged to be the definitive interpreter of Corigliano’s Piano Concerto. Recent engagements include his Royal Concertgebouw debut, performing the MacDowell Concerto and Gershwin’s Rhapsody in Blue, both under Leonard Slatkin. He is associated particularly with Bernstein’s Age of Anxiety, which he recorded with Leonard Slatkin and the BBC London Symphony. He has performed with most major American and European orchestras including the Chicago, Cincinnati, Cleveland, Detroit, Los Angeles, Minnesota, and Pittsburgh as well as the Berlin, London, and Munich Philharmonics. He is Eminent Scholar/Artist-in-Residence at the University of Cincinnati College-Conservatory of Music and Artistic Director of the Great Lakes Chamber Music Festival.

Yehuda Hanani’s charismatic playing and profound interpretations bring him acclaim and reengagements across the globe. An extraordinary recitalist, he is equally renowned for performances with orchestras such as the Chicago Symphony, Philadelphia Orchestra, Baltimore Symphony, St. Paul Chamber Orchestra, Berlin Radio Orchestra, Israel Philharmonic, BBC Welsh Symphony, Buenos Aires Philharmonic, Honolulu Symphony, Jerusalem Symphony, Lithuanian Chamber Orchestra, and Taipei and Seoul symphonies, among others. His recording of the monumental Alkan Cello Sonata —the first ever—received a Grand Prix du Disque nomination, and his other discs have won wide recognition. His best-selling recording of the Unaccompanied Bach Suites has become a standard-setter, and of his recent Naxos CD with the National Symphony of Ireland Fanfare Magazine wrote: “Renowned cellist Yehuda Hanani, great virtuoso that he is, handles this with astounding aplomb… .”

Close Encounters continues its tradition of commentary before each performance and of inviting the entire audience to a reception to meet the artists immediately following the concerts.

Tickets, $35 or $25 for adults and $10 for students, are available at The Mahaiwe Performing Arts Center box office, 413.528.0100, through Close Encounters With Music at 800-843-0778 or by emailing [email protected]. Please visit our website at www.cewm.org.

The Romantic Bach Saturday, March 20, 6 PM
Chopin and His Circle Saturday, April 24, 6 PM
Prague Spring—Czech Idyll Saturday, June 5, 6 PM

All performances take place at the Mahaiwe Performing Arts Center, Great Barrington, Massachusetts

Tickets for the Conversations with… event is $25 which includes light refreshments:

Chopin Hour Sunday, April 26, 2 PM at the Hudson Opera House, Hudson, New York

“A chamber music series on a par with anything heard at the height of the season. For this, we year-rounders are blessed.” —Rogovoy Report

“‘L’Histoire” known in English as “A Soldier’s Story,’ … was an intriguing project, and a noble effort… [an]exuberant theatrical adventure… Stravinsky’s winsomely galloping waltzes, polkas and marches framing the dialogues were in superb hands with the ensemble…”

—Berkshire Eagle (December 2009)

“There’s a palpable mystique about these Close Encounters concerts.” —Berkshire Eagle

“STUNNER CLOSES SEASON! Though Hanani, Prutsman and Upshaw all performed with that rare combination of mutual understanding and technical finesse which makes for the most satisfying chamber music, Hanani deserves special recognition for his astute program choices.”

—Albany Times Union

“An all-star lineup…CEWM’s usual high caliber.” —Metroland

About Soldier’s Tale! performance December 2009: “…an intriguing project, and a noble effort… exuberant theatrical adventure… Stravinsky’s winsomely galloping waltzes, polkas and marches framing the dialogues were in superb hands with the ensemble.” —Berkshire Eagle