Close Encounters with Music Presents “Inside the Met’s Instrument Collection” with Curator Ken Moore Conversations.. Series Continues with Intimate and Stimulating Conversations About Music and Ideas

Photograph of Ken Moore

Musical instruments serve an intangible and immaterial art that accompanies ritual, battle and work, entertains and expresses emotions; they document technological advancements and societal change.  Depictions in the visual arts reveal their functions and portray their performers —accurately or symbolically.  Surprisingly, The Metropolitan Museum of Art is the perfect place to explore these connections using its global collection of over 5,000 instruments from the 3rd millennium BCE to the present and their matching depictions found throughout its galleries.   On Sunday, November 15, 2 PM, Ken Moore, Frederick P. Rose Curator in Charge of Musical Instruments, will provide an introduction to the collection and reveal new ways of looking and thinking about these extraordinary sounding forms.
“Inside the Met’s Instrument Collection” is part of a series of intimate and stimulating conversations about music and ideas, an intrinsic part of the Close Encounters With Music season.Conversations With…” has presented such notable speakers as writer, editor and Bob Dylan biographer Seth Rogovoy; composer, National Endowment grantee and Guggenheim Fellow Judith Zaimont; baritone and actor Benjamin Luxon; Emmy Award-winning animator, illustrator, cartoonist and children’s book author R.O. Blechman; art restorer David Bull; Academy Award nominee Daniel Anker; scholar, performer and multimedia artist Robert Winter; former Yankee, author and sportscaster Jim Bouton; Metropolitan Opera costume designer Charles Caine, and  award-winning poet Charles Coe.

Tickets for this event are $15 and are available on the Close Encounters website –, at 800-843-0778, or at the door.  Light refreshments, following the presentation, are included.

Close Encounters With Music stands at the intersection of music, art and the vast richness of Western culture. Entertaining, erudite and lively commentary from founder and Artistic director Yehuda Hanani puts composers and their times in perspective to enrich the concert experience. Since the inception of its Commissioning Project in 2001, CEWM has worked with the most distinguished composers of our time: Paul Schoenfield, Robert Beaser, Osvaldo Golijov, Lera Auerbach, Jorge Martin, John Musto, among others to create important new works that have already taken their place in the chamber music canon and on CD. A core of brilliant performers includes pianists Adam Neiman, Roman Rabinovich, Walter Ponce and Jeffrey Swann; violinists Yehonatan Berick, Vadim Gluzman, Itamar Zorman and Erin Keefe; clarinetists Alexander Fiterstein and Charles Neidich; vocalists Dawn Upshaw, Jennifer Rivera, Kelley O’Connor, and Lucille Beer; the Amernet, Muir, Manhattan, Avalon, and Dover quartets, and Cuarteto Latinamericano; and guitarist Eliot Fisk. Choreographer David Parsons and actors Richard Chamberlain, Jane Alexander and Sigourney Weaver have also appeared as guests, weaving narration and dance into the fabric of the programs.

ABOUT THE MOUNT The Mount, a National Historic Landmark, is a cultural center that celebrates the intellectual, artistic, and humanitarian legacy of Edith Wharton. The estate, designed and built by Edith Wharton in 1902, embodies the principles outlined in her influential book, The Decoration of Houses (1897). In addition to the mansion, the property includes three acres of formal gardens, including a French flower garden and an Italian white garden. Extensive woodscapes surround the formal gardens. Each year, The Mount hosts over 30,000 visitors. Daily tours of the property are offered May-October with special events throughout the year. Annual summer programming includes Wharton on Wednesdays, Music After Hours, and the popular Monday Lecture Series.  Exhibitions explore themes from Wharton’s life and work.