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SUMMARY:Saluting the Clarinet—Mozart\, Beethoven\, Bartók and Gershwin
DESCRIPTION:It can come on brash and it can come on sensuous. In the orchestra\, it steps forward in “Peter and the Wolf” and “Rhapsody in Blue”; in opera it’s a-near protagonist in “The Magic Flute\,” “La Traviata” and “The Barber of Seville” as composers delineate atmosphere and character motifs. It can sing and it can swing. We are referring of course to the clarinet\, which stars in a program that features Bartók’s “Contrasts\,” written for clarinet legend Benny Goodman and violinist Joseph Szigeti (with Bartók himself playing the piano at the world premiere!); Beethoven’s Trio in B-flat major\, opus 11; Mozart’s Clarinet Quintet\, and some down-home Gershwin. The program abounds in Hungarian country fiddling and dance melodies\, rich folk fare and jazz\, as well as clarinet and violin pyrotechnics. The remarkable clarinetist Alexander Fiterstein will leave us all breathless! He is joined by pianist Michael Chertock\, violinist Xiao-Dong Wang and cellist and artistic director Yehuda Hanani. \n\nTickets on sale in early September.
URL:https://cewm.org/event/saluting-the-clarinet-mozart-beethoven-bartok-and-gershwin/
LOCATION:Mahaiwe Performing Arts Center\, 14 Castle Street\, Great Barrington\, MA\, 01230\, United States
CATEGORIES:Season 2026 2027
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DTSTART;TZID=America/New_York:20270221T160000
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SUMMARY:Bach and Handel with Simone Dinnerstein\, Yehuda Hanani and Hannah Sohn
DESCRIPTION:Called “a unique voice in the forest of Bach interpretation” (New York Times)\, pianist Simone Dinnerstein joins Yehuda Hanani in a program that addresses cultural twins of the Baroque\, born less than one month and 125 kilometers apart—Johann Sebastian Bach and George Frideric Handel.  While Bach was the great master of the polyphonic form\, a fugal genius\, Handel was a melodist of enormous power and sensitivity.  Distinctly different composers\, both achieved universal acclaim.  Bach’s 15 Sinfonias and the joyful Gamba Sonata No. 2 alongside Handel’s Violin Sonata in F Major on cello and the sonata for two cellos and keyboard will handily illustrate their unique cosmic voices.  A century later\, Beethoven spun a set of variations on Handel’s theme from the oratorio “Judas Maccabeus.”  Dinnerstein and Hanani (“The sonatas came bounding to life in vital interpretations rich in imaginative detail and virile strength. Mr. Hanani was rightly rewarded with cheers from the audience.” — New York Times) are well matched to ascend the heights of these celestial works. \n\nTickets on sale in early September.
URL:https://cewm.org/event/bach-and-handel-with-simone-dinnerstein-yehuda-hanani-and-hannah-sohn/
LOCATION:Saint James Place\, 352 Main Street\, Great Barrington\, MA\, 01230\, United States
CATEGORIES:Season 2026 2027
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DTSTART;TZID=America/New_York:20270418T160000
DTEND;TZID=America/New_York:20270418T180000
DTSTAMP:20260611T185517Z
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SUMMARY:Dvořák—In The New World and Old World
DESCRIPTION:From humble beginnings to stardom\, Antonin Dvořák straddled two centuries\, two continents\, rural and urban sensibilities and folk styles inspired by Czech and Slavic traditional music as well as by an American sojourn. At home in different worlds\, his sublime String Quartet No. 12  the “American” was composed in Spillville Iowa during a blissful vacation\, and legitimized utilizing folklore\, spirituals\, and vernacular art as material for the next generation of American classical composers. The Piano Quintet\, a masterwork of Romantic-era chamber music\, stands as one of the twin peaks of the repertoire written for piano and string quartet (Brahms’s Quintet being the other!). Brahmsian depth\, Eastern European folk flavor and sheer melodic beauty characterize this joyful work. Also\, a taste of Dvořák’s vocal output with selections from his Biblical Songs\, the Gypsy Songs cycle and others reflecting his abiding affection for Czech and Bohemian culture. \nAnna Polonsky\, piano; Miranda Cuckson and Giora Schmidt\, violins; Helena Baillie\, viola; Yehuda Hanani\, cello; Tyler Duncan\, baritone \n\nTickets on sale in early September.
URL:https://cewm.org/event/dvorak-in-the-new-world-and-old-world/
LOCATION:Mahaiwe Performing Arts Center\, 14 Castle Street\, Great Barrington\, MA\, 01230\, United States
CATEGORIES:Season 2026 2027
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DTSTART;TZID=America/New_York:20270613T160000
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SUMMARY:World Premiere—"Metamorphosis: Love"
DESCRIPTION:Jorge Martín\, Tchaikovsky\, Kenji Bunch\, Grieg\, Poulenc \nLoss\, remembrance\, joyous recollection\, metamorphosis and love. These are universal themes and a progression of states of emotion that animate the music and texture of the program. A work of shattering intensity\, Tchaikovsky’s Piano Trio was written in response to the composer’s grief at  losing his beloved teacher\, Nikolai Rubinstein\, and at the same time recollecting the happy moments spent in his company. It is elegiac and cathartic\, as is the newest CEWM commission from Jorge Martin\, Metamorphosis: Love\, that gives the program its name. The Poet/protagonist role is sung by a tenor in dialogue with his Muse\, sung by soprano\, which in the end becomes Music itself. The accompanying ensemble is cello\, piano\, marimba and vibraphone. A companion piece (narrator\, cello and percussion) is a 2015 CEWM commission from Kenji Bunch\, written to a Shakespeare sonnet of desire and longing. Plus art songs from Schubert\, Brahms\, Fauré\, Poulenc and Finzi. It’s all about transcendence and love! \nPerformers: Omar Najmi\, tenor;  Dana Varga\, soprano; Samuel  Solomon and Nancy Zeltsman\, percussion;  Max  Levinson\, piano;  Yehuda Hanani\, cello \n\nTickets on sale in early September.
URL:https://cewm.org/event/world-premiere-metamorphosis-love/
LOCATION:Mahaiwe Performing Arts Center\, 14 Castle Street\, Great Barrington\, MA\, 01230\, United States
CATEGORIES:Season 2026 2027
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